Samstag, 19. Februar 2022
everything in this apartment is property of viennese artist rana farahani, austrian state is being blackmailed by iran and neo nazi networks america and europe for looting. Nazi theft will be punishable by death. Economically, Rana was in a position to buy decorations and appropriate collections, I haven't since 2009
Theurgy, from the Greek theourgia means literally something like "actuating the divine" and refers to actions that induce or bring about the presence of a divine or supernatural being, whether in an artifact or a person
austro and wehrmachtsjude anti vmat2 fascism, and invaders in austria, roman, bajuwars, zion nazis alliance vienna until today
kleid
(...)
i am the right and a necessity, i am platonic right, confronted with evolution fascism, and atheistic antisemitism
"stones artifacts" phenomenon
Theurgy, from the Greek theourgia means literally something like "actuating the divine" and refers to actions that induce or bring about the presence of a divine or supernatural being, whether in an artifact or a person. It was a practice closely related to magic - not least in its ritual use of material things, sacrifices, and verbal formulas to effect the believer's fellowship with the god, demon or departed spirit. It is distinguished from ordinary magical practices less by its techniques than by its aim, which was religious (union with the divine) rather than secular. use of the term theourgia as well as of the related theourgos, referring to a practioner of the art - arose in the second century CE in Hellenistic circles closely associated with the birth of Neoplatonism. The practice was commended and followed, in the third and later centuries, by certain Neolatonist philosophers and their disciples.[27]
It is important to note that the great theurgists of antiquity were highly educated men and women of impeccable reputation, totally different from the sellers of curses and spells.[28]
why did stalin believe in wolf's messing powers ötzi!? and you Mussolini clowns.
In the centuries after Homer a number of individuals with supernatural powers emerged who cannot be labeled or classified precisely. They belong partly to the history of Greek philosophy and science, partly to the realm of Greek religion, but they are also magoi, or miracle-workers.
Perhaps the three most famous Greek magoi, between Homer and the Hellenistic period, when magic became an applied science, were Orpheus, Pythagoras, and Empedocles. All three are strikingly similar, but each clearly has an identity of his own. Pythagoras and Empedocles lived in fifth century BCE Orpheus was a more mythical figure, but Orphism, the religious movement named after him was very real and influential.
Orpheus and Pythagoras are associated with important philosophical and religious groups or schools in the history of Greek culture, while Empedocles remains more of a solitary phenomenon, though he did have disciple. All three individuals are known to have expressed their ideas in poetry and prose, and at some point many of these compositions were probably written down by their followers, but few of these writings are extant. What we have are fragments or substitutions by later authors. The similarities among these three figures suggest that in Greek civilization existed a type of miracle-worker who was also an original thinker and a great teacher, someone who offered a philosophical theory to explain the universe and the human soul-macrocosm and microcosm-and who may also have been a poet.
Orpheus is first mentioned in the sixth century by the poet Ibycus of Phegium, who speaks of "Orpheus of famous name." For Pindar, he is "the player on phorminx, father of melodious songs." [3] Aeschylus described him as he who "haled all things by the rapture of his voice." [4] In a vase painting he is depicted on board a boat, lyre in hand; and he is expressly named on a sixth-century metope of the Treasury of the Sicyonians at Delphi. Beginning in the sixth century the iconography of Orpheus becomes continually richer: vase paintings show him playing the lyre and surrounded by birds or wild animals or else by Thracian disciples. He is torn to pieces by maenads, or he is in Hades with other divinities. From the fifth century, too, are the first references to his descent to the underworld to bring back his wife, Eurydice.[5] He fails in this because he looks back too soon or because the infernal powers opposed his undertaking.[6] Legend makes him live in Thrace "a generation before Homer," but on fifth-century ceramics he is always represented in Greek costume. It is in Thrace that he dies. His head, thrown into the Hebron, floated to Lesbos, singing. Piously recovered, it served as an oracle. [7]
plato and persians, magic history
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Tuesday, April 23, 2024 Vienna's mayor Michael Häupl apologized for allowing one of the responsible doctors, Heinrich Gross, to temporar...