Donnerstag, 8. Dezember 2022
کلیم
در آتش تخم امید ار بکارد
گلش بیش از شرر سر را بر آرد
همه پای کسان او را نوید است
بهر در هر چه قفل او را کلیدست
بصد زنجیر اگر پیوند دارد
گشادی لازم هر بند دارد
I took the photo in my shop in 2003, it wasn't a digital camera but an old model. I gave the negative to develop. in any case i saw the darkforce eye, probably reflected from the police secret cameras and the eyes from iran. dark force ayatullahs. back then i knew a curse and darkforce was chasing me
there are only dirty animal nazi whores that philosophize about penis size from 16 centimeters, and up to 16 centimeters my category 15-16. the only reason is: only old race and vmat people are degraded with it, cause conflict, humiliate the wife and achieve forced sterilization as in my case internationally with secret cameras
afro american and african in UNO city building
when i was 14 i registered at the library in the 9th district of vienna, i never took books home, i read them there because of data protection, i can remember the first book i took was about the life of nelson mandela, the first 50 pages were enough: you're a straw hero of liberalism, just like fucking mossadegh. "spö never saw me read". i have 80% of iranian opposition as enemy, evolution society with no sense of humor and criticism
working class can do everything themselves and occupy all state functions means: we have to take vmat2 and vmat1 hostage, not taking its existence seriously but exploiting everything, intellect and intelligence. this is monkey nazi satanism, nazi ahrimanism. which was also discussed in vienna in chat rooms with iranian.
since the 19th century when socialism or social democracy talks about proletariat then it means evolution, the inferior race, it only attacks vmat and old race, it attacks vmat race bourgeoisie and capitalism, healthy economic system. in collective they ruin our existence and call us lompan, lumpen proletariat
Mittwoch, 7. Dezember 2022
my contribution to cosmic eye, native iranian elam and the eye. Viennese stone favoriten
Born to Sally and Irving Chestman, Russian-Jewish immigrants, she grew up with three siblings on Manhattan's West Side during the 1920s and 1930s. She spoke little about her childhood and left home at age 15 to work in the theater, adopting the name Faith Elliott. At age 18, she moved to Hollywood, starting as a messenger at Columbia Pictures. She subsequently worked as a sound-effects and music editor, and then script clerk for Republic Pictures. She later worked as a script supervisor (12 Angry Men) and editor (Go, Man, Go; with the Harlem Globetrotters).[citation needed]
Dienstag, 6. Dezember 2022
there are many dignitaries among ahura mazdanian anunnakis, the rebels, god's soldiers. millions for millions of people, positive energy, also for pleasant dreams. is the world so simple? as the politicians would like to believe, or atheists, or the ayatullahs? more vmat2 torturing and killing means armageddon from now on. for billions
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