Donnerstag, 27. Juli 2023
what austrians do to me and my family in vienna is impossible without the financial participation of the police and secret services, that also applies to iranians and israelis, without the financial participation of the mossad and iranian secret service, without the participation of the rabbis and ayatullahs, no torture business is possible
This escalator system that was developed based on gene dna and race is the most dangerous and biggest crime globally, some go up and on the other side others go down, both sites look at each other disinterestedly, this stasi financial system and illegal real estate financing through race torture switches the speed faster, poverty is hereditary like wealth
Persian Magoi and Anahita.....
آقا ما بریم، اینم جاده خاکی ما با ابی... سینمای ایران نه. ه. ه. ه، هه هه هه.
حالا دیگه تو رو داشتن خیاله..... دل اسیر آرزوهای محاله... غبار پشت شیشه میگه رفتی... ولی هنوز دلم باور نداره.... حالا راه تو دوره.... دل من چه صبوره... کاشکی بودی و می دیدی... زندگیم چه سوت و کوره....
many understand this approach of showing terror scenes almost weekly, the networks globally understand it, few understand nothing: we do this and that, and everything, these people do this, look at the planes, look at the two buildings, we do this, and they do this here... so doctors and hospitals were concentrated on controlling society alongside judges: nobody is allowed to talk. these are insane, psychopathic and religious fanatics with no evidence of nazi satanism. where are the portals and the masses?
my sister is in mortal danger because of iranian austrian nazi satanism psychopathy, and the police are still holding 100 million euros in front of the eyes of viennese society!, illegal black money through race murder attempt. in addition, 9/11 is condemned with outrageous media manipulation techniques to this day
Mittwoch, 26. Juli 2023
(....)
TESLA
آقا جوان بودیم رفتیم نشستیم سر میز قمار خواستگاری واسه آبجیمون و سر میز قمار شوهر خواهر پیدا کنیم، هی سوال میکردم از خودم: مارو ول میکنن یا نه؟ بیا دیگه، با کارت شش وبش از ما برد، مگه ما سر خونیم آخه کوس ننه، کوسخل!؟ مادر جنده ژن پیدا میکنه میشه مثل ساس تو خونه آدم، آی کوس ننه جنده هرچی میمون زاده ولدزنا تو این دنیا
that we are jews is an intrigue and a lie, that jesus was a jew is also a lie, the persecution of christians was eugenics fascism, the whole tribe of jesus had special "supernatural" abilities. magoi were native iranian miracle workers.
https://www.faculty.umb.edu/gary_zabel/Courses/Phil%20281b/Philosophy%20of%20Magic/World%20Soul/Magic%20in%20the%20Graeco-Roman%20World.html
In the centuries after Homer a number of individuals with supernatural powers emerged who cannot be labeled or classified precisely. They belong partly to the history of Greek philosophy and science, partly to the realm of Greek religion, but they are also magoi, or miracle-workers.
Perhaps the three most famous Greek magoi, between Homer and the Hellenistic period, when magic became an applied science, were Orpheus, Pythagoras, and Empedocles. All three are strikingly similar, but each clearly has an identity of his own. Pythagoras and Empedocles lived in fifth century BCE Orpheus was a more mythical figure, but Orphism, the religious movement named after him was very real and influential.
Orpheus and Pythagoras are associated with important philosophical and religious groups or schools in the history of Greek culture, while Empedocles remains more of a solitary phenomenon, though he did have disciple. All three individuals are known to have expressed their ideas in poetry and prose, and at some point many of these compositions were probably written down by their followers, but few of these writings are extant. What we have are fragments or substitutions by later authors. The similarities among these three figures suggest that in Greek civilization existed a type of miracle-worker who was also an original thinker and a great teacher, someone who offered a philosophical theory to explain the universe and the human soul-macrocosm and microcosm-and who may also have been a poet.
Orpheus is first mentioned in the sixth century by the poet Ibycus of Phegium, who speaks of "Orpheus of famous name." For Pindar, he is "the player on phorminx, father of melodious songs." [3] Aeschylus described him as he who "haled all things by the rapture of his voice." [4] In a vase painting he is depicted on board a boat, lyre in hand; and he is expressly named on a sixth-century metope of the Treasury of the Sicyonians at Delphi. Beginning in the sixth century the iconography of Orpheus becomes continually richer: vase paintings show him playing the lyre and surrounded by birds or wild animals or else by Thracian disciples. He is torn to pieces by maenads, or he is in Hades with other divinities. From the fifth century, too, are the first references to his descent to the underworld to bring back his wife, Eurydice.[5] He fails in this because he looks back too soon or because the infernal powers opposed his undertaking.[6] Legend makes him live in Thrace "a generation before Homer," but on fifth-century ceramics he is always represented in Greek costume. It is in Thrace that he dies. His head, thrown into the Hebron, floated to Lesbos, singing. Piously recovered, it served as an oracle.